All Duccio di Buoninsegna Oil Paintings

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
 

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Duccio di Buoninsegna Slaughter of the Innocents oil on canvas


Slaughter of the Innocents
Slaughter of the Innocents
Painting ID::  258
  Museo dell'Opera del Duomo, Siena
  Museo dell'Opera del Duomo, Siena

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Duccio di Buoninsegna The Maesta Altarpiece oil on canvas


The Maesta Altarpiece
The Maesta Altarpiece
Painting ID::  259
  1308-11 Museo dell'Opera del Duomo, Siena
  1308-11 Museo dell'Opera del Duomo, Siena

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Duccio di Buoninsegna Madonna and Child Enthroned with Angels and Saints oil on canvas


Madonna and Child Enthroned with Angels and Saints
Madonna and Child Enthroned with Angels and Saints
Painting ID::  260
  Museo dell'Opera del Duomo, Siena
  Museo dell'Opera del Duomo, Siena

Height    Width


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Duccio di Buoninsegna Crucifixion oil on canvas


Crucifixion
Crucifixion
Painting ID::  261
  Museo dell'Opera del Duomo, Siena
  Museo dell'Opera del Duomo, Siena

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Duccio di Buoninsegna Crown of Thorns oil on canvas


Crown of Thorns
Crown of Thorns
Painting ID::  262
  Museo dell'Opera del Duomo, Siena
  Museo dell'Opera del Duomo, Siena

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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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